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Dan Trajman
www.Trajman.com www.flickr.com/photos/dan_trajman |


Oh boy! I hope this isn’t an early indicator of the level of success for my 2009 art projects. Del Ray Artisans is presenting “Nocturne: from Dusk to Dawn” January 16 – February 15, 2009 with a submission deadline of January 11, 2009. They hope to revive a theme that emerged in the 1860′s as a literary, musical, and artistic expression of the shimmering effects of light between dusk and dawn. Artists are challenged to interpret the qualities of light when darkness itself is the subject of the night. The show is curated by Seana Gallagher.
I had this concept of a shimmering chandelier done in all grey tonalities and I picked up Shimmer Silver 12 x 12 paper along with some very gorgeous Hambly Screen Prints (hand silk-screened rub-ons) and let me tell you, THAT material marriage was fantastic. The problem started with the rub-on process because I wanted to position the chandeliers so they showed strategically between the open windows of my MCS Industries Museum Mat 8 x 10 frame. And it was then that I learned that stray rub-ons are very difficult to remove – I tried lifting with tape, I tried scraping, I even prayed.
Ignoring that initial warning, I then proceeded to try to attach my clear Crystal Stickers Elements by Mark Richards which DO NOT have an adhesive backing. So I went back to the Elmer’s Glue pen and Disaster. Even though the overall effect would have been very “Hollywood” and I had the intention of xacto knife-ing the flames so the whole piece would sit atop a bright background which would have shown through the flame mini-windows.
Sometimes I think it’s just better to do what you do artwise and then match it to a competititon’s title. Trying to make art on demand has a constricting and limiting feeling and I start getting all these critic thoughts about whether its “good enough” or “meets the intent” of the show producers – all which ends up with a huge UUUGGGGHHH.
A native of Concord, NC, Harlee Little was born the first child of six. He displayed an early interest in photography taking pictures of buildings around the campus of Livingstone College where his father worked.
The momentous year of 1954 changed everything for young Little, baseball, baseball All the time. All time was measured in relation to baseball, at home, at school, at church, even on granddaddy’s farm. It was baseball that gave Little his first experience with what W. E. B. Dubois called the duality of black life in the United States. Would his number be 24 or 7, the markings of two New York center fielders of the day? On into high school baseball ruled the clock until his parents pointed out that playing baseball was play. It was now serious time for education and work. So serious it was.
Little enrolled in Howard University almost a century after the emancipation of African slaves with aspirations of a degree in law or physics. Photographs for an independent student newspaper in 1968 began a life in photography and a commitment to exploring the power and impact of visual communication. Photography became central element in Little’s subsequent work and professional experience, including teaching, social documentation, magazine production and nanagement, and design of communication services for federal agency initiatives.
Little has produced outstanding photographic images for use in art, commerce, education, industry, journalism, public and corporate relations since 1974. He specialized in producing images that communicate and document the ideas and ideals of advocates and educators, associations and corporations, entrepreneurs and government agencies.The unique imagery of Little’s vision has been published and displayed worldwide. Among these venues are American Heritage, Black Excellence, Black Collegian, Columbia Journalism Review, Emerge, Espana, Essence, Harper Collins Books, Jet, People, Science Magazine, Sydney Morning Herald, The Washingtonian, Time, Washington Post, Washington Times, and ABC News 20/20. His photographs are also featured in the exhibit and publication Reflections in Black, a history of black photographers 1840 to the present.
Harlee Little was a founding member of the Exposure Group: African-American Photographers Association and was an active member in the Black Artists of DC.
Harlee Little died on January 1, 2009.
Update January 4, 2009:
Condolences can be sent to Harlee’s address below and his children will
receive them.The Family of Harlee Little
4828 New Hampshire Ave. NW, #4, Washington DC 20011
Update: January 9, 2009
Condolences, and all other correspondence regarding Harlee Little’s personal
or business matters are being handled by Kobi Little, who is officially
representing the family.He can be reached via the following:
Postal Mail:
4828 New Hampshire Ave, #4
Washington, DC 20011Email:
kl@kobilittle.comTelephone:
443-896-9622Update January 31, 2009 -
FYI Harlee’s Memorial Service will be held on Saturday, February 7, 2009, at Howard University’s Rankin Chapel at 1:00pm.
Update February 6, 2009:
BADC Morns the Loss of HARLEE LITTLE Sat. Feb.7, 1:00 pm Rankin Chap
Posted by: “Claudia Gibson-Hunter” ghunterstudio@yahoo.com ghunterstudio
Thu Feb 5, 2009 7:55 am (PST)
BADC Mourns the Loss of DC-based Photographer Harlee Little
<http://liberatedmuse.blogspot.com/2009/01/liberated-muse-mourns-loss-of\
-dc-based.html>
[http://4.bp.blogspot.com/_ZEvWQ06dVdo/SV3f4JbAAkI/AAAAAAAAAoc/9Jo5H9NHM\
0g/s400/harlee+little.jpg]
<http://4.bp.blogspot.com/_ZEvWQ06dVdo/SV3f4JbAAkI/AAAAAAAAAoc/9Jo5H9NHM\
0g/s1600-h/harlee+little.jpg>
A native of Concord, NC, Harlee Little was born the first child of six.
He displayed an early interest in photography taking pictures of
buildings around the campus of Livingstone College where his father
worked.The momentous year of 1954 changed everything for young Little,
baseball, baseball all the time. All time was measured in relation to
baseball, at home, at school, at church, even on granddaddy’s farm. It
was baseball that gave Little his first experience with what W. E. B.
Dubois called the duality of black life in the United States. Would his
number be 24 or 7, the markings of two New York center fielders of the
day?On into high school baseball ruled the clock until his parents pointed
out that playing baseball was play. It was now serious time for
education and work. So serious it was. Little enrolled in Howard
University almost a century after the emancipation of African slaves
with aspirations of a degree in law or physics.Photographs for an independent student newspaper in 1968 began a life in
photography and a commitment to exploring the power and impact of visual
communication. Photography became central element in Little’s subsequent
work and professional experience, including teaching, social
documentation, magazine production and management, and design of
communication services for federal agency initiatives.Little has produced outstanding photographic images for use in art,
commerce, education, industry, journalism, public and corporate
relations since 1974. He specialized in producing images that
communicate and document the ideas and ideals of advocates and
educators, associations and corporations, entrepreneurs and government
agencies.The unique imagery of Little’s vision has been published and displayed
worldwide. Among these venues are American Heritage, Black Excellence,
Black Collegian, Columbia JournalismReview, Emerge, Espana, Essence,
Harper Collins Books, Jet, People, Science Magazine, Sydney
MorningHerald, The Washingtonian, Time, Washington Post, Washington
Times, and ABC News 20/20. His photographs are also featured in the
exhibit and publication Reflections in Black, a history of black
photographers 1840 to the present. Harlee Little is a founding member of
the Exposure Group: African-American Photographers Association and was
an active member in the Black Artists of DC.
Harlee Little died on January 1, 2009.MEMORIAL FOR HARLEE LITTLE
Family and friends will gather to remember Harlee Little,
an outstanding human being, artist, photographer, teacher,
and friend.Saturday February. 7,
1:00 pmRankin Chapel,
Sixth Street &
Howard Place, N.W.
Washington, DC 20059Howard University campus.
Repast: Blackburn Center Howard University
Ballroom, 2nd Floor
Directly after the service
Article as posted on: http://www.dcexaminer.com/entertainment/36984784.html
Corcoran to close for seven weeks beginning Jan. 26
By Chris Klimek
Special to The Examiner 1/2/09
WASHINGTON – The first two months of the year are typically the slowest for D.C. museums. The Corcoran Gallery of Art will take advantage of the lull by closing for seven weeks beginning Jan. 26 while improvements are made to the 111-year-old, Ernest Flagg-designed Beaux-Arts building’s leaky roof.The $12.5 million refit, which includes the replacement of 50,000 square feet of glass, will mark the first significant maintenance to the building’s cover in more than 25 years. No major exhibitions will be disrupted; the current “Richard Avedon: Portraits of Power” was already scheduled to close Jan. 25. “Maya Lin: Systematic Landscapes” opens March 14, along with the new, presumably drier Corcoran. Corcoran College classes and all other educational programs and special events will proceed as scheduled.

Bob Dylan, musician, Central Park, New York, February 10, 1965, © 2008 The Richard Avedon Foundation — Courtesy PhotoIf you go
“Richard Avedon: Portraits of Power”
Where: Corcoran Gallery of Art, 500 17th St. NW
When: Through Jan. 25
Info: $14, $12 seniors/military, $10 students; general admission to the permanent collection galleries is $6, free for members and children age 6 and younger; corcoran.org
Stars and Stripes Exhibition and Book DiscussionSharon Burton (of Authentic Art) is Hosting a Facebook Meet Up Event
| Host: | |
| Type: | |
| Network: |
Washington, DC
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| Date: |
Saturday, January 24, 2009
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| Time: |
12:00pm – 3:00pm
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| Location: |
The Joan Hisaoka Healing Art Gallery at Smith Farm Center
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| Street: |
1632 U Street NW
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| Phone: |
2024838600
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Featured artists: Maya Freelon Asante, Christine Batipps, Susan Brandt, Wesley Clark, Calvin Coleman, Megan Hildebrandt, Cynthia Farrell Johnson, Jeffrey Kent, Ulysses Marshall, Bruce McNeil, Aïdah Aliyah Rasheed, Halide Salam, Desiree Sterbini, Rebecca Waring, Ann Marie Williams and Helen Zughaib.
This exhibition was juried and curated by Myrtis Bedolla, Founding Director of Galerie Myrtis in Baltimore, MD.
After the viewing, we will attend the following program:
The Price of Racial Reconciliation Book-Signing and Discussion
With Ronald Walters, PhD
Ronald Walters, PhD is internationally known for his expertise on the issues of African American leadership and politics, his writing and his media savvy. Join us for a thought-provoking discussion on the conceptual difficulties involved in the project of racial reconciliation. Visit this site for information on Dr. Walters
Chris must be longing for some vitamin C with his newly created “My Darling Clementine” as seen below. Visit this cartoonist’s blog at http://thehistorylesson.blogspot.com/2009/01/my-darling-clementine.html.


Here’s my first attempt at a hanging 4 x 4 for the Vintage Dragonfly‘s swap due Jan. 20th. I tried to complete it on New Year’s Eve by using a white cake sticker from sticker-stackers (designed by Tami Lovett) and available through stickers by the yard. I attached them to paper source white leaves vellum paper. The stickers didn’t adhere to the paper well so I used gloss mod-podge which made the whole thing buckle and the gloss took away from any vintage or victorian feel I was trying to accomplish. The add on flowers were lily white assortments from paper posies – doodlebug design inc. The posies come on small stems which I didn’t properly allow for in the creation and assembly – as my architect husband said, “Architects plan before they construct. Artists construct then plan.”
The 4 x 4 is supposed to be finished on a study hanging base and I decided to cover my cardboard base with fabric swatches I got awhile back at Joanne’s fabrics. Mistakenly using Elmers Glue, the glueing process was a complete disaster, very frustrating, and came off looking totally home-made and not the elegant white-on-white I was going for. And then hell bent on failure, I stuck a very 2000′s metal Hope element on to the whole thing so how the heck is that victorian vintage, I just don’t know. So it’s back to the drawing board for this artist who is discovering she’s perhaps not a crafter after all.

Lauren’s in Vancouver and I haven’t heard from her since 12/30/08.
Worry & Patience